(Menu- for representational purpose only)
Art market boom stories do not end it seems. To qualify a
contemporary incident it is always good to contrast it with a boom time story.
I remember how ‘stylish’ our artist friends had become during those years.
Especially when it came to ordering of food or wine in a restaurant they used
to compete with each other in ordering (as well as paying the bills) the most
exotic food available and also in selecting the best wine available there. I
lack in such skills. I do not understand most of the names seen in a restaurant
menu. Obviously as a writer I am interested in reading the names of the
culinary specialities of the place and I like the phrases that they people have
come up to qualify their food and beverage items. Like many names in the Latin
American and African novels I still find it difficult to remember the names of
food items. While I could comprehend which character does what in a novel, in a
menu it becomes all the more difficult to track the movements of the
ingredients (which are often given in brackets in black italics) and how they
turn to a classic taste wonder.
Sometimes it reads (in bracket) ‘king prawns fried with
spinach in white rum and coconut paste’. I wait for a royal lobster to come
hiding its untimely death in the beautiful shroud of coconut paste and the
dirge of neat porcelain accompanied by the stewards who exactly look like bier
carriers of church. The head priest (the chief chef) makes an appearance to
recite some magical words of exhortation that makes the passage of prawn to the
nether worlds of hungry patrons in mourning clothes (haven’t you noticed that
for both mourning and celebrating they prefer black attires?). But often I am
disappointed. Instead of a majestic prawn what I see is its shrivelled soul of
it hiding in the centre of the plate with an abundant dressing of various
greeneries for effect. Where I expect a Delacroix and I get to see an Ophelia;
Where I want to see Sudhir Patwardhan they give me a Prabhakar Barwe. I should
not complain because the pure ecstasy seen in the countenances of my hosts and
their Epicurean words remind me of Ecstasy of St.Teresa by Bernini; I cannot
deny it as faking though it is faking. If I go by Descartes, I say then and
there, ‘I accept, therefore I am.’ However, I cannot suppress a reeling out of
pornographic visuals in my mind when I read a menu and come across something like
‘Sex in the Beach’ (a mocktail) and ‘Chicken 65’. Except for the small little
umbrella that comes perching at the rim of the mocktail glass there is neither
sex nor beach in it. Only evidence that you had drunk something of that sort
last night is seen when you confront a blue pee at your commode; only if you
care to look at what goes out of you with as much as care you had taken last
night about what went in.
One day I was telling my inability to decipher a menu to a
rich young artist friend of mine. When I say, rich, young and artist, polite
arrogance comes with it as topping. He said, “You are not able to do it because
you do not have the habit of throwing parties or taking out family or friends
eat out in high-end restaurants.” For a moment, it was shocking for me. I am
used to bluntness but such straightness is sometimes difficult to take. ‘Satyam
Bruyat, Priyam Bruyat, Bruyat na Satyam Apriyam’, says Indian philosophy. That
means, Tell Truth, Tell Pleasing things and Never tell truth that hurts
(obviously, the listener). I, happily do not believe in it. My motto is exactly
the opposite; even if it hurts, tell it. Hence, when he said it I liked it. I
liked the way he told me the truth. But after some deliberations in my mind I
thought why he had told me so. He knew that I did not take friends and family
to high-end restaurants. But still, was he doing the same till recently, till
acquired all his wealth through his art? So, for him it is an acquired
etiquette; something came to him by chance. But the fundamental truth is that
millions of people in this country are not able to do what he does. They never
understand a menu. The eateries that they frequent out of choice or by force
may or may not have menus with or without spelling mistakes. But they do not
want to read the menu to order their food. They already know what they want.
They know how much they could pay for what they would eat. So it is
economics/wealth that takes a person out to high-end restaurants. Some people,
however wealthy they are prefer to live a simple life; they too do not read
menus. They already know what they want.
I have been living alone for some time now. This stay has
given me a few great revelations. As I have not yet set up a kitchen where I
could cook what I want to eat, I eat outside once in a while. There are a few
blessed hands that give me home cooked food even if I do not expect them to do
so. I want to acknowledge them taking their names but they are not doing it for
name or the ‘good points’ that they would earn in the final count before the so
called God. If I mention their names they may be offended; so I avoid doing it.
Blessed are those hands that feed me; be those of a friend or of a person who
works in a local wayside eatery.
I eat from the places where working class people eat. When I
say working class one may tend to think that they are all menial workers. No,
working class includes office goers, people working in IT industry, doing small
executive jobs, people who have come to the city for giving job interviews,
college students, drivers, helpers and people who look like coming from settled
home with caring families. People eat from such places for different reasons.
For some people, like me, they have not yet set up a kitchen, for some others
they could not eat at home, some people do not have a permanent place to stay
or they have erratic hours of work. So they all eat from small eateries; they
are affordable. But I wonder how a person who earns two hundred rupees a day
(approximately four US Dollas) spends fifty rupees out of it for one time meal?
It will be too pinching for him. I see people drinking sugar cane juice early
in the morning so that the sugar in it helps them to hold the body and soul
together till the next meal which may come or may not. I see rickshaw pullers
sucking on cheap sweets in their mouth to supply the body with sugar. I see
young people eat a full meal for Rs.20/- from subsidized food booths between 10
am and 11 am so that they can skip at least one meal. I see people eating two
samosas (Rs.10 or Rs.12/-) for their dinner! People do not have money. If I do
not know how to read menus, I am okay with it.
In small eateries, you may not be treated with affection. In
high end restaurants, everyone would come to you as if you were a king or
queen. The waiters in the small eateries work for their food. They are weary of
doing what they are doing. They are saddened by their hands to mouth existence.
They cannot give you a smile with the food they serve. Even if they try to
smile at them they will look at you with suspicion. In high end restaurants,
you eat the exotic sounding food items with relish. But your relishing is
affected one. More than you eat, you talk to your companions. You pretend to be
happy. None goes to a high end restaurant to feel depressed. Eating there is a
celebration, feeling good; it is about accomplishment and gains. It is a display
of your social skills. It is a temporary feeling of power to order others
around and pay. It is about negotiations and setting up deals. It is more about
acting out than eating out. But in small eateries, there is a strange communion
with the food. You do not hear people talking there. People eat as if they were
participating in a secret ritual. Yes, there is a secret ritual there; between
the miseries of life and the act of bracing up for facing it in the next
moment. Eating is an interval of introspection; meditation. It is a communion
with one’s own self. The saddest sight in the world is that of a person eating
alone in dim light; perhaps, that person is the happiest person in the world
too because he is one with his food. It is my flesh and it is my blood, take
it, says the son of God. And you break bread with him and you feel good about
it. Never mind you don’t know how to read menus.
1 comment:
very interesting and real.. thanq
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