(Ignorance, a sculptural installation by Kauser Jahan)
The work is titled ‘Ignorance’. It would have been a simple
expression, very student like, had it not been explained in a certain way by
the artist herself. Artist, Kauser Jahan is a post graduate student in the fine
arts faculty at the Jamia Millia Islamia in Delhi. The work ‘Ignorance’, a pair
of ears chained together and fitted on wooden planks, is exhibited in a neighborhood
project in the Jamia area which has earned its own notoriety for being a Muslim
ghetto; the Muslims live there don’t prefer it to be a ghetto but the political
developments in the country has made it into one; the notorious shootout case,
the Batla House Shoot out case, has now been made into a Bollywood movie with
John Abraham in the lead.
I chanced upon this work of art in a report appeared in the
Hindustan Times, a national English daily and Kauser Jahan explains this work
saying that ‘hearing and listening are two different things’. Jahan further
said that whether it was climate change or atrocities against the minorities
the human beings chose to be ignorant about it. This ignorance could come from
selective amnesia as put by the socio-linguist, G.N.Devi or it could come from
the middle class apathy. People choose to ignore many things because they don’t
impact their lives adversely; even if they see atrocious things in the smart phones
or in the television screens, they find their safety and comfort in the glassy
distance provided by the screens. Accidents always happen to other till it
happen to us; immigrants are people who have been evicted from their rightful
lands by forces that do not affect us; a land in confinement and the larger
seclusion of people from the world could be overlooked because we still live in
the illusion of living in a free space. We fail to acknowledge the fact that
the space of freedom is rapidly depleting and shrinking. We choose to be
ignorant.
(Kauser Jahan)
A pair of human ears tied together is not a great metaphor
until it is seen in context. We are reminded of the catastrophic statement made
by George Orwell in his book, 1984, ‘Ignorance is Strength’. Ignorance gives us
some kind of insulation from the happenings in the world. A modernist poet in
Kerala said, ‘Light is sorrow, Darkness is comforting’. Knowledge causes pain,
oblivion is a refuge. Of course it is a refuge for the people who are pushed
into atrocities and unbearable pains. They could overcome the trauma of
occurrences by sleeping or by going mad. Each moment of memory is like creating
a memorial for the pains that have been endured. But for the people who are put
up safely away from calamities, negligence, ignorance and oblivion are a thing
of irresponsibility. Jahan in her work seems to pinpoint this issue and we need
to hark upon the visual comment made by this artist. She says, hearing is one
thing and listening is another. We choose to hear everything and listen
nothing. Hearing by one ear and letting it out through the other is a common
saying to show the blissful ignorance of the people in general. But Jahan
forcefully ties the two acts by one chain. Those who hear should listen too,
she seems to say. Rather it is high time that we all listened to the things
around.
In the discourse of the Black people and the dispossessed,
it is said that ignorance is a strategy by the powerful people through which
they annihilate the physical as well as spiritual existence or presence of the
other. It is like we share our secrets in the presence of our house slaves and
drivers. We expect them to be blind and deaf and definitely mute. This makes
them invisible. There is an elephant in the room but we don’t see it, why? Because
we are not looking at it or looking for it. It is like overlooking the obvious
and pretending that it is not a big deal. We live in absolute cacophony created
by news channels and social media. This sonic environment demands intelligent
discernment; to separate truth from the dominant falsehood in all kinds of
narratives. Hearing has to be attached to listening to make this discerning
possible and viable. Our political discourse today needs careful listening than
generic hearing and obeying. The work of art in this sense gives out a powerful
message. However, Kauser Jahan needs more sophistication in articulating such
sensitive issues visually, especially when she attempts a sculptural
installation. For the time being the sculpture makes the impact because the
times are pregnant with poignant meanings and a sensitive mind would eke out
the adequate meaning chaffing out the unnecessary verbal embellishments that
could come around it. Till then we need to bridge the gap between hearing and
listening.
n
JohnyML
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